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- Sabrina Carpenter's new song "Manchild" is catchy—but she didn’t write it alone. Hitmakers Amy Allen and Jack Antonoff did the heavy lifting.
- Most mainstream pop songs today are crafted by a tight circle of professional songwriters and producers. Stars just lend their voice and image.
- This behind-the-scenes reality challenges the way fans perceive authenticity in pop music—and it’s time we talk about it.
The Pop Music Lie: Who Really Writes Your Favorite Songs?
Okay, real talk: Sabrina Carpenter just dropped her new song Manchild, and yeah, it’s a bop. It’s the kind of track that makes you roll your eyes in the best way while mouthing “I knowww right?” on the train to nowhere. But what if I told you that the voice behind the mic isn’t the brain behind the lyrics? Because… surprise! She probably didn’t write much of it at all.
No shade to Sabrina—she’s talented, charismatic, and knows how to serve face in every music video. But there’s a whole pop music ecosystem we need to talk about. And once you know how it works, you’ll never hear pop the same way again.
The "Manchild" Breakdown (No, Not That Kind)
Let’s rewind. The song Manchild is getting attention for its cheeky, eye-roll lyrics and that classic Sabrina energy. But before you give her credit for dragging an emotionally stunted ex with poetic finesse, know this:
The songwriters are Amy Allen and Jack Antonoff.
And if those names don’t ring a bell, they should. They’re basically the Marvel Cinematic Universe of pop songwriting.
Amy Allen: The Underrated Hitmaker
Amy Allen is behind some of the biggest earworms of our time—like Espresso (2.3 billion streams, NBD), Without Me (Halsey), Greedy (Tate McRae), and even Adore You (Harry Styles). She’s not just good—she’s elite. Your favorite pop star has probably crooned to one of her melodies without you ever realizing it.
Jack Antonoff: The Indie-Pop Svengali
Jack Antonoff is the pop music industry's secret weapon. He’s crafted hits for Taylor Swift, Lana Del Rey, St. Vincent, and now Sabrina. His fingerprints are all over the dreamy, synth-laced vibes that dominate today’s pop sound. Cruel Summer? That’s him. Please Please Please? Also him. Like, at this point, he’s practically his own genre.
So when Manchild was born, it came from this songwriting dream team. Sabrina might have sprinkled a few personal touches—but don’t assume she wrote it while crying into her lavender oatmilk latte. That’s not how this works.
Pop Stars Are the Face, Not the Factory
Here's the pop music industry reality: stars like Sabrina are the final product. They’re the face, the brand, the vibe. But behind the scenes? There’s a small, very powerful group of songwriters, producers, managers, stylists, and marketing execs who craft every second of a hit.
This isn’t conspiracy. It’s just business.
The Assembly Line of Stardom
When Sabrina preps for a new album, she’s handed a portfolio of songs—some already written, some half-cooked. She might collaborate in writing sessions with the pros, throwing in a lyric here or there, tweaking a melody. That gets her a songwriting credit (and a nice chunk of royalties). But make no mistake: the heavy lifting is usually done before she even sets foot in the studio.
In most cases, the artist isn't playing the instruments. The vocals are polished by producers. The visual concept for the video? Approved by a whole creative board. Outfit? Chosen by stylists weeks in advance. Image? Market-tested.
This is showbiz, baby.
Why This Feels Like a Plot Twist (But Shouldn't Be)
So why are fans still shocked when they find out their fave didn’t pen their most emotional ballad?
Because the industry wants us to believe it’s personal.
Sabrina walking through a moody set in a ball gown while whispering bitter-sweet lyrics feels real. We want to believe she lived every word. It’s a modern illusion that sells vulnerability and relatability—but don’t get it twisted. It’s curated authenticity.
Just look at any album drop: behind the aesthetic sadness and poetic captions is a brand strategy built by a multi-million-dollar team.
But Wait—Does That Mean It's Fake?
Not necessarily.
Music, like movies, is collaborative. Just because Sabrina didn’t write every line doesn’t mean the emotion isn’t there. She’s a performer, not a poet. Her job is to sell the story, and she does it well.
Honestly? It takes serious talent to deliver someone else’s lyrics and make it feel like it came from your soul. That’s what makes pop music work: it’s about packaging universal emotions in a way that hits millions of people at once.
Still, let’s not confuse performance with authorship.
The Real MVPs: Songwriters
Let’s give credit where it’s due. Writers like Amy Allen, Jack Antonoff, Ryan Tedder, and Max Martin are pop music. They’re the architects of the entire landscape. They’ve written for everyone—Taylor Swift, Harry Styles, Ariana Grande, BTS, Post Malone, Beyoncé. They’re the shadow artists shaping the soundtrack of your life.
And here’s the wildest part? Sometimes they don’t even get full credit. Songwriters often have to split royalties and hand over partial credit just to get their song recorded. It’s a long-standing industry practice that lowkey sucks—but that’s how the machine works.
So Next Time You Hear a Bop...
Ask yourself: who really made this?
And don’t feel betrayed if your fave didn’t write it themselves. Just understand the game. Pop is a machine, and your favorite star is the face on the billboard—not the engineer behind it.
We can still stan the aesthetic, love the vocals, and cry to the bridge of Manchild. Just let’s not pretend it was a diary entry.
Stay plugged into the secrets, stories, and behind-the-scenes tea of the entertainment world—only at Woke Waves Magazine.
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